Article

VISION RICH WITH PURPOSE
AND DETERMINATION
Exercising a
sure hand and a sensitive eye, Susan Schary turns paint into radiant energies
pulsing with life. Her brushes function as prisms through which light becomes a
carnival of color. Using a rainbow of brilliant hues, she invents remarkable images
of people, places and things. Richly rewarding representations of subjects she has
studied with searching thoroughness, they have an existence all their own.
Through
portraits, figure paintings and still-lifes, Schary gives voice in the language of vision
to feelings and thoughts no amount of words can match. Using her distinctive
esthetic awareness as a lens, she brings the essence of her subjects into critical focus,
allowing you and me to share in the joy of her discoveries. In addition, in all her
work, design and expression are never separate. The more she has to say, the more
adroitly she combines form and color into superbly unified compositions.
While
Schary is a very versatile painter, able to deal effectively with various themes, she is
an absolute master of portraiture. She excels in this area because her pictures of
faces are infinitely more than mere likeness.
Many a
facile art student can readily formulate the obvious equivalent of a simple snapshot.
By contrast, Schary always avoids the obvious. Instead, she brings profound
sensitivity and emotional maturity to the process of interpreting the nature and
psychology of a given person as well as rendering his or her overt appearance. Thus,
her portraits have depth and soul. As pictures with something to say they are quite
likely to endure. One may well wonder how Schary acquired this gift. I think
it's the result of her deep-rooted respect for life, a dedicated commitment to art and the
accumulation of meaningful experience with many people in a variety of geographic locales,
here at home as well as abroad.
Schary
also has another specialty no other painter I know can equal or surpass. This is her
work as a trial reporter for news coverage on TV. With rare acumen, she captures the
drama of the courtroom where witnesses testify, attorneys plead their case, judges preside
and juries listen intently before retiring to ponder the fate of a defendant. Unlike
lesser artists who make such scenes into vapid illustrations or overdone cartoons, Schary
invests her pictures with profound compassion and sensitive understanding. Again and
again, the faces of the figures reveal knots of anxiety, protracted tension and unexpected
surprises experienced within themselves. By placing her talent at the service of
audiences watching television she shows what the reality of a newsworthy legal proceeding
is about, thus providing important information that would not otherwise be as well
communicated to concerned citizenry.
In a
day and age when many artists are all too willing to exploit their abilities just for the
sake of gaining approval from potential patrons, turning themselves into impersonal
machines for producing studio commodities, Schary never forgets that art must, first and
foremost, be made with heart. Because her ultimate loyalty is to the sanctity of
nature and the integrity of her creative vision, she rejects compromise for the sake of
easy success and superficial popularity. It's not an easy road to travel. On
the other hand, it certainly helps explain why her work is as outstanding as it is.
Burton Wasserman
Chairman Art Department
Rowen University
Glassboro, New Jersey

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